A Study on the Transformation of Cross-Medial Performance Paradigms of Chinese Wushu
DOI:
https://doi.org/10.63313/SSH.9042Keywords:
Wushu, Cross-Media Performance, Body Narrative, Technical Translation, Aesthetic Reconstruction, Paradigm TransformationAbstract
This study takes the cross-media performance of Chinese Wushu as the research object, and explores its paradigm transformation in multiple fields such as film and television, dance, drama, digital interaction, and cultural tourism practice. The research holds that in addition to its core nature of “combat skills”, Wushu is also an aesthetic entity with highly malleable symbolic narrative functions. The translation mechanism of Wushu in different media is influenced by the characteristics of the media; at the same time, it also reshapes the aesthetic sys-tem of Wushu itself and its cultural connotations. Based on this, a three-dimensional interactive model of “Body-Media-Aesthetics”is proposed to explain the internal logic of Wushu’s cross-media performance.
References
[1] Liu, J. X. (2017). Oriental Body Culture. Beijing: Beijing Time-China Press.
[2] Zhang, Y. Y., & Yang, Z. P. (2000). On the homology, integration, and influence between Wushu and dance [J]. Journal of Shanghai University of Sport, (03), 25-28.
[3] Li, X. (2023). A study on the development and evolution of the concept of “Xu and Shi ” in the discourse system of Chinese art theory [J]. Art & Design Research, (01), 116-122.
[4] Lu, Z. H. (2024). Digital performance and new interaction: Internet art, virtual reality, and artificial intelligence [J]. Theatre Arts, (05), 11-19+6.
[5] Liu, W., & Peng, J. (2024). Research on the path of artificial intelligence empowering the international communication of Chinese Wushu [J]. Journal of Shenyang Sport University, 43(04), 124-130.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 by author(s) and Erytis Publishing Limited.
This work is licensed under a Creative Commons Attribution 4.0 International License.
